wolfram says: i started to record the track cant remember when i was in africa and some riots happened in egypt in 2013. it was a weird time so it turned out to be a dark tune with robotic vocals. i recorded the vocals for the track talking to you when i was on tour with andy butler in the hotel room on my macbook air. basically its him saying this beat is talking to you and i recorded some burp sounds on the flight and train home. i invited him to my home studio to change the demo vocals, but he felt asleep on the chair next to me. so, i thought maybe i should just the use the demo macbook vocals.

*how you say* is the new single from factory floor. this is the third of three 12 inch singles and contains part of a wide and wonderful selection of remixes. this third ep contains new versions, both from bookworms, who turned in 2 new versions that were so good, we had no choice but to put them both out. bookworms aka nik dawson, had recorded many striking singles for both l.i.e.s. & confused house, collaborating with steve summers. this is his second remix for dfa (the first was for larry gus) and we are thrilled to have him back in the mix.

*how you say* is the new single from factory floor. this is the second of three 12 inch singles and contains part of a wide and wonderful selection of remixes. this second 12 inch contains new versions from gunnar haslam, who released a striking debut album last year on l.i.e.s., as well as a lean percussive house 12 inch single on chicagos argot records. the 12 inch also contains a remix from helena hauff (werk/pan), who made a distinctive mark in the dance community with a brilliant debut 12 inch on werk as well as single on pan under the alias black sites.

this first 12 contains new versions from daniel avery (phantasy), who released a striking debut album last year, as well as a string of much-played 12 inch singles. the 12 inch also contains a remix from invisible conga people (dfa), which marks the return of this elusive act, who recorded a fan-fave 12 inch for dfa in 2011, and have not been heard from since.

just 180 copies!! limited edition, blue label records with custom spine label & download code

dedication is an ongoing collaboration of japanese musicians and western singers brought together by producer and dj felix dickinson and japanese artist mikey yamada.

double vinyl in a matte gatefold sleeve. includes cd-copy of the album.
dfa records is proud to present we got a love, the sophomore full-length by shit robot a.k.a. dublin native marcus lambkin. recorded in germany and new york, the nine-track album includes the killer recent singles, *feels real* and *we got a love*. like lambkins 2010 debut from the cradle to the rave, we got a love sports an array of guests that include dfa veterans nancy whang, museum of love and luke jenner (the rapture), plus hip-house hero lidell townsell and australian singer holly backler. the albums distinctive artwork was created in collaboration with irish graffiti artist maser.

the juan maclean returns with get down (with my love) - part 3 in an alleged dance-floor trilogy that also includes the 2 singles released in 2013. you are my destiny & feel like movin were both instant classics and both were awarded best new track from pitchfork. both are still in heavy rotation

dfa is pleased to announce a split 12inch single featuring remixes of shit robot by paul woolford and juan maclean by leon vynehall. extremely limited, so move quickly.

knapp zwei jahre nach der veröffentlichung des selbstbetitelten debütalbums melden sich nick millhiser und alex frankel aka holy ghost! mit neuen songs zurück. dabei zeigt *dynamics* deutlich, dass die beiden new yorker sehr an selbstbewusstsein gewonnen haben und ihre musikalische erfahrung, die sie über die jahre in form von single- oder ep-veröffentlichungen sowie zahlreichen remixes für z.b. mgmt, cut copy, moby, phoenix oder lcd soundsystem, gekonnt in die songs einfließen lassen. holy ghost! haben ihren extrem tanzbaren elektro-sound mit dem neuen album perfektioniert, sie kümmern sich nicht um etwaige trends und konzentrieren sich auf ihre stärke, einen sound zu kreieren, der sofort in mark und bein geht.
die 2x12 inch vinyl-lp kommt im klappcover, inklusive cd-version des albums.

factory floors self-titled debut album is a vivid snapshot of a progressive band, still in the ascendant, smashing through yet another ceiling.
pressing on white 2x12 inch vinyl, cd-copy of the full album included.

dfa is proud to announce a new split single featuring both the juan maclean and shit robot. the single highlights the warped and wonky piano house both acts have become famous for. the juan maclean track features long time vocalist nancy whang (also of lcd soundsystem), who helps deliver yet another wildly catchy dance floor anthem, in line with prior collaborative successes “happy house” and “you are my destiny.” shit robot brings in famed stand up comedian (and closet soul vocalist) reggie watts whose incredible voice glides from falsetto to baritone in a single verse. the combination of the deep bass lines, wild voice and piano stabs weaving in and out make this one of the strongest and unique singles in the shit robot catalog. both shit robot & the juan maclean have full length albums due in 2014 on dfa records. limited to 500 stamped and numbered copies, includes digital download code.

dfa revisits several classic and in demand 12inch with a new series of hand stamped white labels called dfa white out series. only 200 copies worldwide. dont sleep. coming soon. benoit & sergio, lcd soundsystem and many more.

dfa revisits several classic and in demand 12 inches with a new series of hand stamped white labels called *dfa white out series*. only 200 copies worldwide. dont sleep. coming soon.. benoit & sergio, lcd soundsystem and many more.

dumb disco ideas is a new song from the bands upcoming sophomore album, dynamics, which will be released this fall. dynamics will be the follow-up to the groups critically acclaimed self titled debut album which was released in 2011 and was hailed as a classic pop album by the los angeles times.

dfa revisits several classic and in demand 12inchs with a new series of hand stamped white labels called >dfa white out series<. only 200 copies worldwide. dont sleep. coming soon: benoit & sergio, lcd soundsystem and many more.

axel boman and petter nordkvist of swedens studio barnhus momentarily shine a mirror ball onto their usual punch-drunk house for their debut release as man tear. a collaboration with vocalist j. jonason, outside amore is a trilling slab of spacious disco, the loping drums and chiming synthesizer accents pirouetting in tandem with jonasons tremulous delivery. the yearning vox of the original are kinetic on their own, but the dub further accosts jonason with all manner of interplanetary commotion and shards of tambourine.

the juan maclean has clearly reserved some crackling energy for you are my destiny, his 19th release on dfa.

following daphnis exhilarating treatment of runnin, the dusty squawk-box psychedelia of sinkane is again prepared for dance floor omnipresence with remixes from germanys tuff city kids and barker & baumecker.

marrying pre-roland early 80?s us dance music with his love of early 90?s andrew weatherall remixes, his playful and intricate productions aim to surprise the listener. in a dance music world ever-more saturated by imagination-free releases

nice price deal !!! lace curtain is james, david & mikey from total control, rat columns, rank/xerox, eddy current suppression ring et al, exploring an electronic world of pleasure, frustration and sadness. bedroom dancers, synthetic singers, basement kicks in a romantic void. influenced by the germans, the italians, pale british button pushers, glamorous alien pop futurists, mid-western sweat, nyc disco dreamers, undercover kings and queens escaping a dull grey world with rhythm and noise, sound and vision

surahn is the newest signing to dfa records.

fall back is the first single from the forthcoming debut lp on dfa records. the track is 8 minutes 30 seconds long. if you like factory floor, you will like this song. if you dont like factory floor, you will now. the b-sides are exclusive to vinyl and feature 3 separate loops taken from the single, created each by dom, gabe & nik. the lp is due for release may, 2013

in the lead-up to the release of motion sickness on december 3rd, domino will put out a three-part 12 vinyl series with each record featuring two highlights from the remix compilation. these releases will be staggered throughout november in december, the first of which is to be released on november 19th. full details can be found below.

holy ghost! steps out of the studio with a new track, it gets dark. recorded during the sessions for their next lp (coming in 2013), this dark dancer comes as a limited edition of 600 on single-sided vinyl, featuring the original and an instrumental. comes with a free digital download card.

factory floor offer up a substantial distraction while the band put the finishing touches on their debut album, due out on dfa records in early 2013. their last single two different ways is remixed by two different electronic music leaders. richard h kirk, co-founder of both cabaret voltaire and sweet exorcist, puts his own warped spin on the single, while perc aka ali wells, takes the original and piles on his signature throbbing bass for the main remix. perc also offers up a noisy mix taking avant waves of feedback and noise and shaping into something unexpectedly beautiful.

>we came to< is the 4th single by the crystal ark, the developing collaboration between gavin russom & viva ruiz. the song is a dance music rally cry, profound in its bare bones and raw production, and equally for the spanish/english lyrics, which praise ancestors and call out for liberation. the house and dub versions featured on the single were mixed alongside the album version, which will be released later this year as part of the self titled debut lp by the crystal ark on dfa records.

shit robot returns with his first new material since the release of his debut long-player, >from the cradle to the rave<. after spending much of 2010 and 2011 touring the globe with his live show – including a string of dates opening/performing with lcd soundsystem during their final shows in nyc - the rebooted robot is back with >the green machine<. the first result of his stuttgart/new york studio adventures is a double-header of dancefloor jams, >teenage bass b/w >space race<, which is released on vinyl and digital on dfa on may 21 2012. its the first in a series of releases called >the green machine<, which will culminate in an album early next year. lead cut >teenage bass< rides a rude ebm bassline and rave alert sirens, before expanding further with key changing chords and a defining arpeggiator. the hypnotic >space race< is a distant relative of 2007s chasm – a meandering, melodic, star-gazing robo-techno workout

aura go rises, opens, rouses not unlike a soft light growing to illumination, a day slowly revealing itself. synths whisper and ring out – like bells marking an early hour – at the start, followed by a succession of other awakenings: a palpitating beat, vocalizations that repeat like undulations, percussive poundings and ringings. it all leads to full on, acid-infused, dance floor hypnosis, with producer dennis dj mcnany pushing polyrhythmic, almost tribal beats to the very front. with the addition of husky vocals from collaborator jee young sim – imagine siouxsie sioux crossed with planningtorock – the sound becomes something altogether, and altogether unexpectedly, gorgeous.

prinzhorn dance schools sophomore album, clay class, releases a quiet energy amongst a dark landscape, inarguably in tune with the downtrodden economic situations that have permeated modern life in the bands native britain, and conversely, along our shores. tobin prinz and suzi horn form a compelling duo whose shout-and-answer approach, paired with edgy and steady bass/drum patterns, achieves perfection in songs such as >seed, crop, harvest< and >your fire has gone out<. the album is constructed on the emblem of empty space, as songs such as >i want you< bridge the gap between musical minimalism and cold intimacy. the oscillation between starkness and warmth pays homage to the bands debut 2007 release, while also creating a modern, if not postmodern, musical snapshot of life across the pond, as well as in our own backyards.
includes full cd-version of this album.

the final single from the self-titled holy ghost! lp before alex & nick return to the studio, commencing work on lp2. the b-side features an amazingly retro extended 12 inch remix by dimitri from paris. limited to 300 stamped white label copies.

ey kids! dfa presents the smokin new rapture single sail away which has been remixed by such nu disco superstars like cosmic kids, cut copy & aeroplane! limited to 300. dont sleep.

lcd soundsystem bring >drunk girls< to a rock party, holy ghost! take them to the electro floor.

there is a fantastic quality to gavin russoms work, an otherworldliness that is subtle yet palpable. its heard-or felt, more precisely-in all of his projects, including the crystal ark, black meteoric star and his numerous recordings with delia gonzalez. all of russoms sonic astral projections, with their textures and atmospheric layers, demonstrate his astounding production skills and modular wizardry. as dfas studio engineer, he was entrusted with the hefty task of maintaining the labels analog stockade. russom has built custom gear for the likes of james murphy, black dice and holy ghost!, has remixed artists including juan maclean, cut copy and caribou, and filled out the wonderful music of lcd soundsystem. so its no wonder that russoms newest solo outing, night sky, reflects the talent and experience accrued in all those roles with both stunning precision and audible clarity. add patience to the above list as well.

brilliant new album from mad scientist-style production genius maurice fulton! chopped-up dubbed-out echo-drenched percussion and globular bouncy p-funk-meets-dubstep bass lines collide to create future boogie-not-boogie from outer space!

excellent discofied electro / rock , electropop album

as a member of chairlift, the band he co-founded in 2006 and exited in 2010, aaron pfenning pulled double (and triple) duty – playing multiple instruments, writing songs, producing, and contributing vocals for the band s major label debut. that comfort with musical multitasking – and a cache of songs he d written that didnt fit his main project – made a new solo effort seem like the natural and logical next step to take. pfenning assumed the name rewards (a moniker hes actually used since 2003), spent the better part of last year touring with we are scientists, brandon flowers and warpaint, and released three broodingly romantic singles (>i used to<, >what a loser< and the achingly beautiful >two cardinals<) that made a host of listeners take sudden notice

after a flurry of winter releases, benoit & sergio return to dfa with the >principles< ep–beach boys techno for summer nights. following in the footsteps of their >boy trouble< and >where the freaks have no name< eps, benoit & sergios >principles< continues to explore underground pop sensibilities in the context of the big-room dance floor

there are certain songs that are so very good, the only singular word that accurately describes them is satisfying. >wait & see< is one of those: an aural pleasure that scratches an itch and hits the spot so precisely, it almost feels like self-denial not to listen on repeat. on holy ghost!s latest ep, the absurdly catchy single from their self-titled 2011 debut gets a makeover from three of dance musics titans: cfcf, kris menace and richard x. and while this batch of remixes finds the artists behind each track steering in new directions, each finds a way to capitalize on the irresistible danceability of the original.

walter merlin jones is a perfectionist. a presence in the house scene since the late 80s, the dj and producer has, over the years, created thousands of undoubtedly wonderful, but unfinished, songs – a staggering collection of musical bits that have fallen victim to his tendency to be his own worst critic. yet, that same perfectionism has yielded some of the most engaging dance music of the last decade, however scant – songs that are aural proof of his preference for quality over quantity. joness first dfa release, 2009s >ill keep on loving you/living without your love<, confirmed his commitment to this idea with subtle grace and slow, seductive rhythms. now, with graceful exit – which pairs joness talents with singer ellipsis, boston producer chas bronz and saxophonist jesse allen — the new orleans-raised artist continues to showcase his discerning ear, proffering music with a modern, evolved take on discos very best virtues.

still going is the combination of two nyc dance music leaders eric dunks & duncan of rub & tug and olivier spencer of manthraxx and mr. negative. even before its release, >still going theme< has been hailed by many top djs around the world and has been featured in prins thomas essential mix for the bbc?s radio 1. the track will soon be featured on the upcoming force of nature mix on mule musiq, as well as james murphy and pat mahoneys (lcd soundsystem) fabric live mix.

head-turning singles >tuff enough< and >take em up< from marcus >shit robot< lambkins fantastic debut, from the cradle to the rave, get reinvented by two of the most talented dj/producers working in electronic music. on the a-side is germanys michael mayers epically inventive take on >tuff enuff<. less muscular than lambkins original, the remix softens things up by placing supple keys under the hardened exterior. the climax is an otherworldly listening experience that literally builds to take off. on the flip, john talabots remix of >take em up< starts like a laidback house party that builds just enough energy when its relocated under disco lights. the haunting opening — a swirling, ghostly blend of elliptical vocals and handclaps — leads to a sonic journey that is as smooth as it is wholly entrancing. this fantastic coupling of tracks is being produced in very short supply, so snap them up quickly!

this is brand new, and its just peter gordon under a different name - some of the best tracks from the cd retrospective, comes in a full picture sleeve with a big glossy poster. its really great stuff.

also brand new, just started shipping it last week. features foolish felix & canyons remixes

track 5, a previously unreleased single meant for >the days of mars< album, but ultimately deemed out of place on the record, begins with the slow reveal of a repeating electronic ring atop a rising, falling, sine-curving synth. with each additional layer—a piercing, urgent synthesizer, a deep, continuous, ever-expanding rumble, the sound of a guitar, awash in reverb—the atmosphere thickens. its both restless and placid, anxious and tranquil. just over ten minutes in length, the track closes with a chorus of high-pitched synths that fade to a sparse, darkened end. this 12-inch, very likely gonzalez and russoms last, also features a remix from Âme, comprised of germanys kristian beyer and frank wiedemann. the house duo wholly transforms the a-side into a track so unrecognizable it seems brand new, taking it far from the introspective dreamworld to a dance party in the sweaty, blissed-out, wee hours of the morning